Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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unknow artist
Painting of the Battle of Ourique (1139) by Domingos Sequeira

ID: 75833

unknow artist Painting of the Battle of Ourique (1139) by Domingos Sequeira
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unknow artist Painting of the Battle of Ourique (1139) by Domingos Sequeira


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unknow artist

  Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 297 | Portrait of Ferdinando I de' Medici | Capture of the Fren ch ship Mars | Floral, beautiful classical still life of flowers.042 | Portrait of Sir Francis and Lady Dashwood at West Wycombe Park |
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Thomas Hosmer Shepherd
(1793-1864), British printmaker and painter
Eleanor Fortescue-Brickdale,RWS
1872-1945 English illustrator, painter and designer. She entered the Royal Academy Schools, London, and won a prize for a mural design in 1897. She specialized in book illustration, in pen and ink and later in colour. Among her many commissions were illustrations to Tennyson's Poems (1905) and Idylls of the King (1911) and Browning's Pippa Passes (1908). She was particularly popular with the publishers of the lavishly illustrated gift-books fashionable in the Edwardian era. She exhibited regularly at the Royal Academy and the Royal Water-Colour Society. She took up stained-glass design (windows in Bristol Cathedral), which modified her style of illustration to flat areas of colour within black outlines.
Peale, James
American, 1749-1831 Painter, brother of Charles Willson Peale. Charles encouraged him to become a painter; James also worked as a frame-maker for his brother until the Revolution, in which he served as a lieutenant. From 1779 James shared Charles's practice, specializing in miniatures. His early work, occasionally confused with Charles's, shows his brother's influence. After 1794, his style became clearly his own: more delicate with subtle colour harmonies, softened outlines and free handling; it may be distinguished by a faint violet tone in the shadows and the inconspicuous signature 'IP'. His miniatures of male subjects are frequently superior to his portraits of women, for example Benjamin Harwood (1799; Baltimore, Mus. & Lib. MD Hist.), but his meticulous attention to costume and his success in imparting colour and sparkle to skin and eyes,






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